Rave's Raves - Go Deep

RAVE'S RAVES #35 - COACHELLA 2009 RECAP

When attending a festival like Coachella, I like to focus on new bands. Top discoveries for me were as follows: The UK’s Los Campesinos dominated with their energetic, quirky brand of rock. Kentucky’s blusey Cage the Elephant supported their substantial airplay with an intense live set, a major front man in Matt Shultz, and a number of good songs. London’s White Lies impressed me at South By Southwest and played well again at Coachella. Amanda Palmer of the Dresden Dolls put on a solo set that was probably my most fun experience of the weekend. She concluded by body surfing all the way to the back of the tent, grabbing a ukulele, and leading everyone in a cover of the song “Creep.” Speaking of fun, Friendly Fires burned up their crowd on a very hot Sunday with yet another great gig. They also scored at The Troubadour a few days prior to the festival Based on Coachella triumphs in past years, all of these artists will probably see career spikes from these shows. As expected, The Ting Tings and Beirut did real well. It was good seeing TV on the Radio for the first time. Most of the bigger bands bring their A-game to an event like this, so there are few surprises. I’ll mention Franz Ferdinand, Yeah Yeah Yeahs, The Killers, and of course Mc Cartney’s historic show as faves. Leonard Cohen matched the major hype surrounding his appearance. Fleet Foxes could have been magical but got off on the wrong foot by admonishing the crowd to “keep the banter down” before the first song was played. Their sound was muddy, and that band needs to be clear. At a time when many festivals are seeing declining attendance, Coachella drew the second largest crowd in its history. There were two moments that for me were magic. One was Leonard Cohen performing his song “Hallelujah” toward the end of his set. The other was Amanda's “Creep” rendition.

SXSW 2009 RECAP

I can’t even begin to cover all of the bands I saw in Austin, so here are some highlights.

I scheduled a couple of interviews for near-future website postings as well as future broadcasts, and these chats were with artists who turned-in two of my conference faves. Matt and Kim(Brooklyn) jumped off of the Cut Copy tour during a free night between Chicago and Toronto because they wanted to keep their string of SXSW’s alive. It turned out to be a wise move as their set generated one of the most exuberant SXSW crowd responses that I’ve seen. They are so energetic and fun. Like their fine album, the live show is nothing short of a full-on party. They’re also upbeat people who love what they do. The interview will be posted within the next couple of weeks.

England’s Late of the Pier are another party band that are very intense, play multiple genres within any given song, and admit that they can be abrasive to some. I’m a fan of their album and live show. Singer Sam Eastgate wound up in a physical altercation with security guards toward the end of the set. NME had the story on their website by the next day. I had a great chat afterwards with synth player Sam Potter. It will also be posted soon. It wasn’t surprising that singer Sam needed some time to recover after being wrestled to the ground, which meant that he skipped the interview. Meanwhile, the band played the incident perfectly the following night at the end of a DirectTV taping, where their prank involved four caped, masked, “thugs” carrying the four “resisting” band members off the stage.

lotp
(thanks to Matt Pruitt for pic)

International scene thrived as usual. Some of the new international buzz artists aced their shows, including the UK’s Glasvegas and White Lies. I missed Norway’s Ida Maria but she’s excellent live. People are loving New Zealand’s Ladyhawke, and her highly-polished shows were a plus. New Zealand’s Cut Off Your Hands are full of energy, and that country has also spawned Bang Bang Eche and Midnight Youth, who both show potential. Other promising international acts include England’s Little Boots and Pete and the Pirates along with Australia’s Temper Trap. I saw a new UK guy from Essex, named Esser. This guy looks like a 50’s stud with huge star potential to go with musical variety that covers lots of ground similar to someone like Beck. The garage Urges from Dublin were fun and powerful. Denmark’s Asteroids Galaxy Tour are also quite compelling.

My favorite US discovery was Natalie Portman’s Shaved Head. These Seattle kids are pretty well known in dance-rock circles but it was my first NPSH experience. They’re great fun, with good songs and fresh instrumentation. They’re about to tour with Lily Allen. Lots or people are buzzing about Boston’s Passion Pit, and their live show will more than satisfy their fans. Manchester Orchestra(Atlanta) delivered intensely, showing that their buzz is warranted. Ra Ra Riot(Syracuse) can be counted on for a solid show, and Ezra Furman(Boston) came through once again, playing a new song that I thought was especially good.

Let me know if you were at SXSW, and who you liked the best. Coachella is less than a month away. That recap will follow very soon thereafter, as part of Rave’s Raves 35. Until then…

…and…

The RAIN internet radio conference in Vegas was informative and a success. Online radio listenership is increasing greatly and is in a position to explode. Other than computers themselves, it seems the iPod is the most efficient device at this point for internet radio…I always look forward to the Musexpo conference, which attracts a worldwide crowd of industry players and artists to Los Angeles. Sat Bisla does a great job with this conference. Ida Maria played a year ago and look where she is now. I’m very pleased to relay that “Go Deep With Bruce Rave” has been announced as a national show being targeted to commercial radio stations. Look for a debut later this year. I’d love to hear what you think of my redesigned website! I’ll be back in the near future with more updates. Until then…

RAVE ON!!

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